Spiritual Independence of an Artist’s Personality in Postmodernity

  • S.R. SAENKO Moscow Polytechnic University, Moscow, Russia
  • P.S. VOLKOVA Krasnodar Higher Military School named after General of the army S.M. Shtemenko, Krasnodar , Russia
  • V.V. KORTUNOV Russian State University of Tourism and Service, Moscow, Russia
  • E.L. PUPYSHEVA Yelabuga Institute of Kazan Federal University, Tatarstan, Russia

Abstract

ABSTRACT

 

Using the example of Takeshi Kitano’s film Achilles and the Tortoise, the authors attempt to identify the criteria of artistry by answering the question whether the main character of the film is a true artist or a pathetic copyist. Carrying out a comparative analysis of Mathisu’s paintings and contemporary artworks represented by Paul Klee, Yves Klein, Pete Mondrian, and others, the authors testify both to the interpretation of the source and its reinterpretation. Such experience allows arguing that the character of the film is a creative person who does not lose its value outside the cinema.

RESUMEN

 

Utilizando el ejemplo de la película de Takeshi Kitano Aquiles y la tortuga, los autores intentan identificar el criterio del arte respondiendo a la pregunta de si el personaje principal de la película es un verdadero artista o un copista patético. Llevando a cabo un análisis comparativo de las pinturas de Mathisu y las obras de arte contemporáneo representadas por Paul Klee, Yves Klein, Pete Mondrian y otros, los autores dan testimonio tanto de la interpretación de la fuente original como de su reinterpretación. Tal experiencia permite argumentar que el personaje de la película es una persona creativa que no pierde su valor fuera del cine.

Author Biographies

S.R. SAENKO, Moscow Polytechnic University, Moscow, Russia
Candidate of Philological Sciences, Doctor of Philosophy, Professor. Saenko Natalya is engaged in the philosophy of modern culture, the theory, and the history of conceptualism, semiotics, and hermeneutics of a literary text. Natalya Saenko is developing philosophical concepts of the histology of culture, accelerating modern sociocultural dynamics, implanting the screen into the being of culture and man.
P.S. VOLKOVA, Krasnodar Higher Military School named after General of the army S.M. Shtemenko, Krasnodar , Russia

Doctor of Philosophy, Doctor of Arts, Candidate of Philology, member of the Union of Composers of Russia. Research interests: philological hermeneutics, the problem of meaning and meaning, language as a means of communication and as a means of thinking, interpretation, and reinterpretation of modern art (painting, music, literature, cinema, animation), the formation of a culture of thinking using the Russian language as an educational discipline.

V.V. KORTUNOV, Russian State University of Tourism and Service, Moscow, Russia
Doctor of Philosophy, Professor. Director of the Center for Humanitarian Research. Specialist in the field of aesthetics, social philosophy, and cultural studies. Academician of the Russian Academy of Natural Sciences, International Academy of Nature and Society Sciences, Honorary Worker of Higher Education of the Russian Federation, member of the Union of Writers and the Literary Fund of Russia. Laureate of the 2000 competition of young scientists of the International Fund N.D. Kondratiev and the Russian Academy of Sciences.
E.L. PUPYSHEVA, Yelabuga Institute of Kazan Federal University, Tatarstan, Russia

Evgeniya Leonidovna PUPYSHEVA is Сandidate of Pedagogical Sciences, Associate Professor, Yelabuga Institute (branch) KFU, Faculty of Philology and History, Department of Russian Language and Literature. Scientific interests are connected with modern directions of linguistics, the main trends in the theory and methods of teaching the Russian language. During 2012-2019 10 programs for continuing education courses for teachers of the Russian language and literature were developed and tested.

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Published
2020-09-18
How to Cite
SAENKO, S., VOLKOVA, P., KORTUNOV, V., & PUPYSHEVA, E. (2020). Spiritual Independence of an Artist’s Personality in Postmodernity. Utopía Y Praxis Latinoamericana, 25(1), 62-69. Retrieved from https://produccioncientificaluz.org/index.php/utopia/article/view/33672
Issue
Vol. 25 (2020): Extra 7 [Interlocuciones]
Section
Artículos