Problem of Plastic Beauty in the Philosophical Consciousness of Russian Literary Culture in the 18th -19th Centuries

  • Aleksej Nikolaevich PASHKUROV Kazan Federal University, Russia
  • Anatolij Ilich RAZZHIVIN Kazan Federal University, Russia
  • Anatolij Ilich RAZZHIVIN Kazan Federal University, Russia
  • Anastasia Dmitrievna SESOROVA Kazan Federal University, Russia
  • Anatolij Ilich RAZZHIVIN Kazan Federal University, Russia
  • Anastasia Dmitrievna SESOROVA Kazan Federal University, Russia
  • Anastasia Dmitrievna SESOROVA Kazan Federal University, Russia
  • Irina Yulievna DULALAEVA Kazan Federal University, Russia
  • Irina Yulievna DULALAEVA Kazan Federal University, Russia
  • Irina Yulievna DULALAEVA Kazan Federal University, Russia
Palabras clave: Literary culture, plastic beauty, poetics of the sublime, evolution of philosophical and aesthetic thought. / Cultura literaria, belleza plástica, poética de lo sublime, evolución del pensamiento filosófico y estético.

Resumen

 

The purpose of the research is to study the general problem of Plastic Beauty in the philosophical and aesthetic thought of Russian literary culture of the late 18th – early 19th centuries. The study showed the phenomenon of plastic beauty in russian literary culture originated in the ancient russian period unlike the western model. The novelty of the study lies in the system of complex evidence of plastic beauty multi-level nature based on the material of russian aesthetics and poetry with a focus on the turn of the 18th – 19thcenturies, as well as in the substantiation of a free correlation of this concept with its antiquing (anthological) tradition.

RESUMEN

 

El objetivo de la investigación es estudiar el problema general de la belleza plástica en el pensamiento filosófico y estético de la cultura literaria rusa de finales del siglo XVIII y principios del XIX. El estudio mostró que el fenómeno de la belleza plástica en la cultura literaria rusa se originó en el antiguo período ruso, a diferencia del modelo occidental. La novedad del estudio radica en el sistema de evidencia compleja de la naturaleza plástica multinivel basada en el material de la estética y la poesía rusa, con un enfoque en el cambio de los siglos XVIII y XIX, así como en la sustanciación de una correlación libre de este concepto con su antigua tradición (antología).

Biografía del autor/a

Aleksej Nikolaevich PASHKUROV, Kazan Federal University, Russia

Doctor of Philology, Professor, Department of Russian and Foreign Literature, Institute of Philology and Intercultural Communication, Kazan Federal University (Russia). A specialist in the history of Russian literature of the 18th-19th centuries, the author of more than 200 scientific works, including 5 monographs; member of the bureau of the Zonal association of literary critics of the Volga region, deputy chairman of the Dissertation Council on literary criticism at KFU; collaborates with researchers in Belarus, Ukraine, Poland, Switzerland, Germany, Italy. The priority field of scientific interests is the genesis of literary and aesthetic thought of the 1700-1870s, the dynamics of genres in this system.

Anatolij Ilich RAZZHIVIN, Kazan Federal University, Russia

Candidate of Philological Sciences, Professor, Department of Russian Language and Literature, Elabuga Institute, Kazan Federal University (Russia); specialist in the field of the history of Russian literature of the turn of the 18th-19th centuries and its interactions with European literature. Scientific interests include the phenomenology of pre-romanticism, its philosophy, aesthetics and genreology. The author of more than 130 scientific papers, including 3 monographs. The research results are embedded in textbooks on the history of the 18th century Russian literature, addressed to university students.

Anatolij Ilich RAZZHIVIN, Kazan Federal University, Russia

Candidate of Philological Sciences, Professor, Department of Russian Language and Literature, Elabuga Institute, Kazan Federal University (Russia); specialist in the field of the history of Russian literature of the turn of the 18th-19th centuries and its interactions with European literature. Scientific interests include the phenomenology of pre-romanticism, its philosophy, aesthetics and genreology. The author of more than 130 scientific papers, including 3 monographs. The research results are embedded in textbooks on the history of the 18th century Russian literature, addressed to university students.

Anastasia Dmitrievna SESOROVA, Kazan Federal University, Russia

Post-graduate student of the Department of Russian and Foreign Literature, Institute of Philology and Intercultural Communication, Kazan Federal University (Russia). The circle of scientific interests is connected with the genesis and evolution of philosophical and aesthetic thought in Russian literary culture of the late 18th – the first half of the 19th century; has 7 published works. The master's thesis studied di-ethics in literary culture, the upcoming candidate dissertation is devoted to the poetics of A.I. Polezhaev's work.

Anastasia Dmitrievna SESOROVA, Kazan Federal University, Russia

Post-graduate student of the Department of Russian and Foreign Literature, Institute of Philology and Intercultural Communication, Kazan Federal University (Russia). The circle of scientific interests is connected with the genesis and evolution of philosophical and aesthetic thought in Russian literary culture of the late 18th – the first half of the 19th century; has 7 published works. The master's thesis studied di-ethics in literary culture, the upcoming candidate dissertation is devoted to the poetics of A.I. Polezhaev's work.

Irina Yulievna DULALAEVA, Kazan Federal University, Russia

Senior Lecturer, Department of English Philology and Intercultural Communication, Elabuga Institute, Kazan Federal University (Russia); specializes in the field of philology and linguistics, the studies include lexical-stylistic and genre features of English-language literary works and the specifics of their translation into Russian; author of more than 20 scientific articles on modern English and Russian literature, translation theory, lexicology, chapters in a collective monograph, more than 15 teaching aids for university graduate students.

Irina Yulievna DULALAEVA, Kazan Federal University, Russia

Senior Lecturer, Department of English Philology and Intercultural Communication, Elabuga Institute, Kazan Federal University (Russia); specializes in the field of philology and linguistics, the studies include lexical-stylistic and genre features of English-language literary works and the specifics of their translation into Russian; author of more than 20 scientific articles on modern English and Russian literature, translation theory, lexicology, chapters in a collective monograph, more than 15 teaching aids for university graduate students.

Citas

BELINSKY, V.G. (1955). Complete works: in 13 volumes. Volume VII. Articles and reviews (1843). Articles about Pushkin (1843-1846). Moscow, USSR Academy of Science.

BYCHKOV, V.V. (1989). Aesthetics in Russia of the 17th century. Moscow, Znaniye.

BYCHKOV, V.V. (1997). Byzantine aesthetics. Moscow, Iskusstvo.

BYCHKOV, V.V. (2004). Aesthetics. Moscow, Gardariki.

DERZHAVIN, G.R. (1872). Works of Derzhavin with explanatory notes by J. Grot: in 9 volumes. St. Petersburg, Imperial Academy of Sciences, vol. VII.

GAY, N.K. (2001). The meta-art of literature. Theory of literature. Volume 1. Literature. Moscow, Institute of World Literature of the Russian Academy of Sciences: 96 - 141.

GEFEN, А. (2010) L’ethiqueest-elleunrecit? Le recitest-iluneethique? Retour sur la que relle du “narrativisme”. Rev. de philology. Beograd, 37(2): 157 – 166.

KNABE, G.S. (1999). Russian antiquity. Moscow, Russian State University for the Humanities.

KOLA, A.F. (2013). Beyond’ global babble Comparative literature as a critical metatheory for glocalizing humanities. World lit. studies. Bratislava, 5(2): 39 – 51.

KOROSTAVTSEV, L. (1822). About high (sublime) and simple-hearted (naif). Works and translations of students of the Emperor Kharkov University, read June 30, 1822, after their exams ... Kharkov, University Printing House: 70 - 125.

KUKKONEN, T. (2011). The good the beautiful, and the true aesthetical issues in Islamic Philosophy. Studia Orientalica. Helsinki, 111: 87 – 103.

KULAKOVA, L.I. (1968). Essays on the history of Russian aesthetic thought of the 18th century. Leningrad, Prosveshcheniye.

LOSEV, A.F., CHISTYAKOVA, N.A., BORODAY, T.YU. (1988). Antiquity as a type of culture. Moscow, Nauka.

LOTMAN, U. (2001). New materials on the initial period of acquaintance with Schiller in Russian literature. Proceedings of Russian and Slavic Philology: Literary Studies. IV. New Series – Tartu, Tartu Ülikooli Kirjastus: 9 - 51.

MAKHOV, A.E. (2016). Between Musicality and Visuality: Theory of Lyrics in West European Poetry of the 18th Century and in the Treatise by G.R. Derzhavin “Discourse on lyric poetry or ode”. New Philological Bulletin, 4 (39): 12-21.

MIKHAILOV, A.V. (1988). Antiquity as an ideal and cultural reality of the 18th – 19th centuries. Antiquity as a type of culture. Moscow, Obrazovaniye: 308 - 324.

MOZGOVAYA, E., LAPPO-DANILEVSKY, K. (2002). Ideas J.J. Winckelmann and the St. Petersburg Academy of Arts in the 18th century. The 18th century, Collection 22. St. Petersburg, Nauka: 155 - 179.

MURAVYOV, M.N. (1967). Poems. Moscow, Sovetskyi pisatel’.

NIGMATULLINA, YU.G., PASHKUROV, A.N., RAZZHIVIN, A.I., DULALAEVA, I.YU. (2017). Binary and Trinitarian Thought Dialogue in the Focus of Pre-romantic Melancholy Problem. European Journal of Science and Theology,13(4): 137-147.

PASHKUROV, A.N. (2004). The category of Sublime in Russian poetry of sentimentalism and pre-romanticism: Evolution and typology. Kazan, Kazan University.

PASHKUROV, A.N. (2010). Late Russian sentimentalism: A dialogue of idyllic and elegiac. Kazan, Kazan University.

PASHKUROV, A.N. (2019). M.N. Muraviev and literary culture: Dialogue of perceptions. Kazan, Kazan University Publishing House.

PASHKUROV, A.N., RAZZHIVIN, A.I. (2014). Literary culture as a dialog of contradictions and reconciler (basing on review of poetics of Russian literature of the 18th – beginning of the 19th century). Life Science Journal,11(8s): 120 – 124.

PASHKUROV, A.N., RAZZHIVIN, A.I. (2018 a). History of Russian literature of the 18th century: textbook: in 2 parts. Part 1. Moscow, FLINTA: Nauka.

PASHKUROV, A.N., RAZZHIVIN, A.I. (2018 b). History of Russian literature of the 18th century: textbook: in 2 parts. Part 2. Moscow, FLINTA: Nauka.

PASHKUROV, A.N., RAZZHIVIN, A.I., DONSKOVA, E.S., DULALALEVA, I.Y., LI, PENGFEI (2019). Transitional Era Gallantry Culture in the Focus of Intercultural Communication Problem (on the Example of N.M. Karamzin’s Prose). Humanities and Social Sciences Reviews, 7(6): 1216-1224.

PASHKUROV, A.N., RAZZHIVIN, A.I., DULALAEVA, I.YU. (2018). The Idyll and the Problems of Harmonizing Culture. Opcion, 34(85): 1904 – 1917.

RAZZHIVIN, A.I., PASHKUROV, A.N. (2012). Phenomenology of Russian literature of the 18th century. Saarbrucken, LAP Lambert Academic Publishing AV Akademikerverlag GmbH-and-Co.KG.

RAZZHIVIN, A.I., PASHKUROV, A.N., DULALAEVA, I.Y. (2019). The Concept of Melancholy and Typological Problem of Transitional Era Literary Culture. Opcion, 35(19): 2337-2365.

KAMENSKY, A. (1974). Russian aesthetic treatises of the first third of the 19th century: in 2 volumes. Moscow, Iskusstvo.

SAZONOVA, L.I. (1991). Poetry of Russian Baroque (second half of the 17th – beginning of the 18th centuries). Moscow, Nauka.

SERMAN, I.Z. (2000). Time frames and milestones of the literature of the 18th century. Russian literature, 4: 3–25.

SESOROVA, A.D. (2017). The Ideal of Plastic Beauty in the Russian anthological tradition (G. Derzhavin, K. Batyushkov, I. Annensky). Kazan, Kazan University.

SHKURINOV, P.S. (1992). Philosophy of Russia of the 18th century. Moscow, Vysshaya Shkola.

SHOKHIN, K.V. (1963). Essay on the history of the development of aesthetic thought in Russia: (Old Russian aesthetics of the 11th – 17th centuries). Moscow, Vysshaya Shkola.

SINTSOV, E.V. (2003). Inexpressible nature in art and culture: to the problem of the rigid-plastic foundations of artistic thinking in visual ornamentation and music. Kazan, Fen.

SPENGLER, O. (1993). Sunset of Europe. Gestalt and reality. Moscow, Mysl’.

MATTHIS, M.J. (2010). The Beautiful, the Sublime the Grotesque: The Subjective Turn in Aesthetics From the Enlightenment to the Present. Cambridge, Cambridge Scholars Press.

VALITSKAYA, A.P. (1983). Russian aesthetics of the 18th century (Historical and problematic essay of enlightening thought). Moscow, Iskusstvo.

WINCKELMANN, J.J. (1935). Selected works and letters. Moscow, Leningrad, Academia.

Publicado
2020-08-14
Cómo citar
PASHKUROV, A. N., RAZZHIVIN, A. I., RAZZHIVIN, A. I., SESOROVA, A. D., RAZZHIVIN, A. I., SESOROVA, A. D., SESOROVA, A. D., DULALAEVA, I. Y., DULALAEVA, I. Y., & DULALAEVA, I. Y. (2020). Problem of Plastic Beauty in the Philosophical Consciousness of Russian Literary Culture in the 18th -19th Centuries. Utopía Y Praxis Latinoamericana, 25(5), 221-234. Recuperado a partir de https://produccioncientificaluz.org/index.php/utopia/article/view/33457