Formas arquitectónicas en la música de Stravinsky: Estudios de casos específicos
Abstract
Igor Stravinsky wrote: “We cannot better specify the sensation produced by music than by identifying it with that which the contemplation of architectural forms provokes in us. Goethe understood this well when he said that architecture is petrified music”. Since the Middle Ages, architecture and music have cooperated. They have gone through their metamorphosis together, hand in hand. Their fusion has produced unique architectural and musical hybrids. A similar story connects Igor Stravinsky's The Concerto in E flat major for chamber orchestra “Dumbarton Oaks” or Canticum Sacrum, which was written for St. Mark's Basilica in Venice. This paper aims to provide a multidisciplinary approach to a deep connection between music and architecture. The semiology method allows us to find hidden ideas in musical and monumental works.
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References
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