Meaning and its Impact on Aesthetic Reception
It is natural that the aim of this research is to achieve the critical thought with reference to the characteristics of each literary school in terms of (reception) concept and show reasons of comparing this concept between the theory pioneers and significant figures of our criticism science like: Al-Jahiz, Abdulqaher Al-Jurjani and Al-Qartajni. Perhaps some of the factors that forced us to demonstrate the opinions of those critics are what we found within the contents of the new theory regarding the thought that has no reference except in our criticism credit and therefore, meaning.
RASHEEDA ALTEREKY. (2009). Aesthetics and meaning question. Translation presentation of Ibrahim Alimairy, Almutawasitiya House for Distribution, 1st edition, Tunisia.
ABDULQADER ALRUBAEY. (1999). Aesthetics of poetic meaning, composition and interpretation, Jordan, 1st edition.
ALSHUROOQ HOUSE. (1997). Cognitive fundamentals of reception theory, Amman, Jordan, 1st edition.
ABDULQAHER AL-JURJANI. (1984). Dalā’il al-Iʿjaz (Intimations of Inimitability), investigated by Mahmood Mohammed Shaker, Cairo.
KHALID KHALEEL. (2013). Difference of opinions and reception in poetry, Baghdad, 1st edition.
LAITH TALIB ESSA. (2002). Meaning extraction according to Arabs in the end of seventh century, Alsadeq house for Printing and Distribution, Iraq.
SALEEM AHMED MAALOOF. (2010). Mental image (Study in meaning conception). Damascus University Magazine, 26th volume, 2nd issue.
MINHAJ ALBULAGHA WA SIRAJ ALUDABA, Hazim Al-Quratjni, Presentation and investigation of Mohammed Alhabeeb, Alkotoob Alsharqiyah library.
WOLFGANG IZER, reading impact: response aesthetics theory in literature, translated by Hameed Al-Hamdani and Aljalali, published by Almanahil Library, Fas, date of edition.
NASR HAMED ABO ZAID. (1992). Reading problems and interpretation mechanisms, Arabic Cultural Center, Beirut, 2nd edition.