Traditional philosophy of the Kazakh music of ХІХ Century

• Seisenbekov K. D. Musical art faculty, T. Zhurgenov Kazakh National Academy of Arts, Almaty city, 127 Panfilov St., Almaty, the Republic of Kazakhstan, 050000
• Mukyshev T. T. Zhurgenov Kazakh National Academy of Arts, Almaty city, 127 Panfilov st., Almaty, the Republic of Kazakhstan, 050000
• Begalinova G. Musical art faculty, T. Zhurgenov Kazakh National Academy of Arts, Almaty city, 127 Panfilov St., Almaty, the Republic of Kazakhstan, 050000
• Myltykbayeva M. S Musicology and art management faculty, Каzakh national Conservatoire named by Kurmangazy, Almaty city, the Republic of Kazakhstan, Kazakhstan, 050000, Almaty, Abylay Khan Avenue, 86

Palabras clave: Kazah Music, Song Style, Aesthetic

Resumen

The article aims to investigate the traditional philosophy of the Kazakh music of ХІХ century via deep and comprehensive study of the aesthetics and techniques of artistic expression. The research proves for the first time that the origins of the reform are connected with composing the (specifically written) type of poets’ labor and their breakaway from aesthetics of the oral type of art when the creator is an author and performer of the work in one person. In conclusion, art should not be interesting, but substantial, since the main task of Music, in Abayu, for teaching and edification.