About Two Types Of Universalism In The Musical Instruments Of The Kazakhs

• Saule Utegalieva Musicology and Composition Department, Kurmangazy Kazakh National сonservatory
• Raushan Alsaitova Zhetysu state University named after Ilyas Zhans
• Talgat Mykyshev T.K. Zhurgenov Kazakh national academy of arts
• Maksat Medeybek, Slushash Ongarbayeva Kurmangazy Kazakh National Conservatory

Palabras clave: Dombra, Kyl-Kobyz, Chordophones, Pinch, Bow.

Resumen

The aim of the study is to investigate common features and differences between musical cultures of nomadic and settled Turks in Kazakhstan via comparative qualitative research methods. As a result, Timbre-register variation is actively used in dombra music. The compositional form of the kui - buyn (link) and with using transposition - suggests a register differentiation of the musical space. In conclusion, the timbre-register principle of development should be taken into account in the analysis of instrumental samples (dombra kui –tokpe and shertpe) and vocal-instrumental music not only of the Kazakhs, but also of other Turkic peoples.