REVISTA ARBITRADA DE LA FACULTAD EXPERIMENTAL DE ARTE DE LA UNIVERSIDAD DEL ZULIA. AÑO 17 Nº 30. JULIO - DICIEMBRE 2022

SituArte

CENTRO DE INVESTIGACIÓN DE LAS ARTES

FACULTAD EXPERIMENTAL DE ARTE

UNIVERSIDAD DEL ZULIA

Publishing Guidelines

situArte is a semestral, peer-reviewed, indexed nationally and internationally journal, attached to

the Center for the Research of the Arts of the Experimental Faculty of Arts, and subsidized by the Council of

Scientic and Humanistic Development (CONDES) of the University of Zulia. Its theme areas are the following:

Art, Music, Performing Arts, Film, and all other disciplines related to art and cultural manifestations. With

exception of reviews all contributions are peer-reviewed.

Address ______________________________________________________________________

To send contributions or contact us, please keep in touch through the E-mail: revistasituarte@

gmail.com. Or to this postal address: Center for the Research of the Arts (CEIA), 1st oor of module IV of the

Experimental Faculty of Sciences of the University of Zulia. Maracaibo, Venezuela.

Reviewing procedure ___________________________________________________________

The articles must be unedited and not proposed simultaneously to other journals. All articles shall

be reviewed by members of the Committee of National Reviewers, nationals or internationals, who have

renowned careers in their respective elds of research. Their report will not be of public knowledge. The

publishing of papers is subjected to the approval of, at least, three reviewers. The reviewers will consider the

following aspects in their evaluation: Originality, relevance, innovation, theoretical/methodological quality,

formal structure and content of the paper, grammatical competitions, style and comprehension of phrasing,

results, analysis, critiques, interpretations, and also the performance of the established publishing guidelines.

Presentation of originals ________________________________________________________

The papers can be presented in Spanish, English, French, Italian and Portuguese. The recommended

font is Arial 12, doubled-spaced. As to the extension of the papers, please see the sections of the magazine. The

author or authors must include at the bottom of the rst page his position or academic position or rank and

e-mail. Three authors per article maximum are going to be accepted. The papers must be sent to the e-mail of

the magazine.

Presentation of papers _________________________________________________________

Papers should adjust to the following rules: 1) Sheet of information: Title: concise, in bold font and

indirect reference to the studied subject. Up to 60 characters. Subtitles are accepted. First and last name of the

author, institution, city and country. Abstract: It should have a minimum of 100 and a maximum of 150 words.

It should also include goals, methodology, theoretic foundation, contributions and conclusions of the article.

Key words: They will be placed at the end of the abstract, in bold font, with a minimum of 3 and a maximum

of 5 words; they shall be descriptive to make easier the sorting of the articles. Abstracts and Keywords must

be written in English and Spanish. 2) Structure of contents: Introduction, development selected by titles,

intertitles, general conclusions or nal considerations, also updated and specialized bibliographical references.

Explanatory notes that contain comments, analysis and reections must be put as foot notes. Figures,

photographs, graphics and charts will all be mentioned as “Figures” and they have to be indicated within the

text. The Editorial Committee reserves the right of distribution of the gures according to the possibilities and

design of the journal. The gures will be presented in a separate independent le. Images included must be

pertinent, be included on the text and marked with Arabic numbers according to the order of appearance and

not according to the page: (g. 1), (g. 2), (g. 3). It is highly recommended to put all images at the end of the

article. As a general rule, it will only be allowed a maximum of 4 images. Only as an exception, it will be allowed

to put up to ten images. This will be subjected to the criteria of the Editorial Committee. Text should be saved

in word format and images in conventional format (preferably JPG), maintaining a resolution not under 300 dpi

and quality of original for its reproduction.

Hemero- bibliographic quotations ________________________________________________

The quotation of sources will be made resorting to the modality author-date-page, based on the

APA Publication manual. If there are more than three authors, information will be put between parentheses

according to this model: (Author et al., publication date, page quoted). Quotes with less than three lines of

extension will integrate the text between quotation marks. Examples:

This leads us to think that “art is a reection of life, is nature seen through a tem per…” (Ortega y

Gasset, 1999, p.66).

Quotations can be made also in the following way:

Ortega y Gasset (1999) supported that “it isn’t easy to exaggerate the inuence on future art has always

its past”. Quotes that have more than three lines will be separated from text by means of indentation

of ve spaces and will not be between quotation marks. Simple paragraph spacing will be used. If

a part of the text is omitted, three ellipses between parenthesis will be put: (…). When the quote

ends, the data in the modality of author- date and page will be put between parentheses. For indirect

quotations, they will be used the same structure applied to direct quotations, omitting the page of

reference.

General character references should be avoided, such as dictionaries and encyclopedias. The list of

bibliographic references will be sorted alphabetically by the author’s last name and will be put at the end of the

text. Only references mentioned in the text will be included according to the following models:

Books: Amícola, José (2000). Camp y posvanguardia. Manifestaciones culturales de un siglo fenecido.

Buenos Aires: Paidós.

Article or Chapter in an Edited Book: Duno-Dottberg, L. & Hylton, F. (2008). Huellas de lo Real:

testimonio y cine de delincuencia en Venezuela y Colombia. En Luis Duno-Dottberg (Ed.), Miradas al margen

(pp.247-285). Caracas: Fundación Cinemateca Nacional.

Journal articles: Rodero, Jesús (1999). Los mecanismos de lo fantástico en “Sobremesa” de Julio

Cortázar. Hispanic Journal, 20, (2), 327- 340.

Sections of the journal _________________________________________________________

Regular appearance

ARTICLE: Is a scientic work that collects partial or nal results of a research, where interpretative,

reexive, critical argumentation about theoretical or practical problems stands out. The extension should not

be under 3,000 words or more than 7,000 words long.

ESSAY: Is an interpretation or analysis of original or personal character, that allows the author explain

PUBLISHING GUIDELINES

REVISTA ARBITRADA DE LA FACULTAD EXPERIMENTAL DE ARTE DE LA UNIVERSIDAD DEL ZULIA. AÑO 17 Nº 30. JULIO - DICIEMBRE 2022

SituArte

without the formal rigor of an article, a theoretical posture about the current situation of themes related with

culture and artistic expressions. The extension should not be under 3,000 words or more than 4,700 long.

Eventual appearance

INTERVIEWS: Documents based in a reexive dialog with national and international experts about a

specic matter that contributes to the development of scientic research. The extension should not be under

1,500 words or more than 3,000 long.

PUBLICATION REVIEWS: Up-to-date writing about current bibliography. Principal results of

international and national research are put in the form of a collective or individual book. Reviews must have

critical character. The following data must be indicated: Title of the book, name of the author, publishing

house, city, year of publishing and number of pages. At the end of the review, the author must indicate his or

her name, institution where he/she belongs, and country of institution. The extension should not be under 550

words or more than 1,500 long.

MORPHOLOGICAL STUDIES: They are documents that analyse the results of the process of research

that accompanies the creation of an artistic product, which involves techniques, materials, aesthetical or formal

aspects of the work of art, as well as its contextual relations. The extension should not be under 550 words or

more than 1,500 long.